From Realism to Abstraction

J. B. (Jack) Taylor (1917-1970) was an important figure in the history of Banff and western Canada’s artistic community. Inspired by the locale, Taylor spent his career striving to depict the idea of the mountain, moving over time from traditional representations of nature to an intuitive perception of the essential elements of landscape - rock, water, and sky. Always, he sought to capture his ideas through the development of a new visual language. He applied this new vernacular to a range of studies encompassing portraiture through to other landscapes.

Filled with images of his work and photographs of his life as an artist and teacher in western Canada, this book is the first to focus completely on J.B. Taylor, his importance to the western Canadian and Banff artistic communities, and his role in the transition from traditional, eastern, North American and European landscape ideals and technique to a more abstract representation and the formation of a new aesthetic of the wilderness based on the mountains of the West.

Table of Contents

Table of Contents
Cover 1
Series Page 3
Full Title Page 4
Copyright Page 5
Dedication 6
Table of Contents 8
Acknowledgments 10
1 | Introduction 12
2 | A Biographical Sketch 16
3 | Mountain Pictures:The Sublime Period (1947 to 1961) 56
4 | Mountain Pictures:The Abstract Period (1962 to 1970) 76
5 | Non-Mountain Pictures 102
6 | Significance and Contribution 142
7 | Conclusion 154
J. B. Taylor Select Bibliography 158
J. B. Taylor Chronology 164
J. B. Taylor, 1917–1970:Selected Exhibitions 168
Posthumous Exhibitions 170
Notes 172
Index 182
Back Cover 187